It would be awesome if every show was exactly the same, with the exact same crowd, the exact same backline, the exact same setlist, the exact same…
Actually, no it wouldn’t. Live music would be pretty boring if it were always exactly the same. Luckily it turns out it’s not, and unless you’ve got a weekly gig at the same venue every week, you’ll find yourself in a variety of different venues with a wildly different set up, room, and audience from night to night.
If you don’t already know what re-amping is, it’s simply the act of taking a signal out of your DAW (Digital Audio Workstation) and running it through a guitar amp and a cabinet, miking the cabinet up and recording the result. Carvin Audio’s V112E Guitar Extension Cab is a good choice for this. This technique is versatile, and you could include any number of processing units in the chain.
That covers the basic what of re-amping. Now let’s talk just a little bit about how and why you would do such a thing.
When it comes to picking your ideal vocal mic, you can read for days about various recommendations, polar patterns, frequency response, mic styles, SPL, response curves, proximity effect, and so on. But since the human voice is so variable, specific recommendations can easily lead you astray.
Instead, we’ll go over the major considerations which will narrow your choices down significantly – and then it’s just a matter of listening.
By now it’s an age-old question: should we track the band together as if we were playing live or should we try to get the cleanest signals and performances possible by tracking separately?
On stage and in the studio, a clean vocal signal is often the determining factor in deciding if things sound great, just ok, or downright bad.
Achieving a clean vocal signal seems straight forward enough, but it turns out it’s easier than you might think to get tripped up. We’ll go over some basic guidelines for getting a reliable, clean vocal signal every time – whether you’re in a noisy bar or a home studio.We’ve talked about protecting your hearing on stage. We’ve talked about various simple set ups for your solo act. We’ve talked about cleaning up your stage sound and keeping your stage organized.
One constant in all these discussions is the value of in-ear monitors. In-ears, as they are typically known, serve multiple purposes – even for a solo act, you might find them useful.
If your studio is lacking the low-end punch you need to hear what you’re doing with the bass frequencies, you might want to add a subwoofer to your setup. You may have even picked up something like Carvin Audio’s TRX3118A active subwoofer, but what you may not have thought about is how to set the level of your new sub.
The COVID-19 pandemic has lasted a lot longer than anyone hoped, and one area hit hard has been the live event industry. Whether you’re a gigging musician, public speaker, or run a church pastor, you no doubt have had to adjust and change your way of doing things.