February 23, 2021
January 14, 2021
When it comes to picking your ideal vocal mic, you can read for days about various recommendations, polar patterns, frequency response, mic styles, SPL, response curves, proximity effect, and so on. But since the human voice is so variable, specific recommendations can easily lead you astray.
Instead, we’ll go over the major considerations which will narrow your choices down significantly – and then it’s just a matter of listening.
November 13, 2020
By now it’s an age-old question: should we track the band together as if we were playing live or should we try to get the cleanest signals and performances possible by tracking separately?
October 19, 2020
September 18, 2020
July 30, 2020
June 19, 2020
March 08, 2019
March 08, 2019
The SRS8 active bi-amplified studio reference monitor is simply one of the best near-field monitors on the market today. The SRS8 accurately reproduces multi-track recordings, surround mixes, mastering mixes, etc. with pinpoint precision, which makes it easy to get your best mix possible.
June 01, 2018
Watch the video and discover the one piece of gear that your rack can't live without. The AC120S Power Conditioner/Sequencer provides ten outlets that sequentially power on and protect your gear on any stage. Much more than a surge suppressor, this unit is equipped with an EMI/ RFI line filter to provide you a hum-free show, while adjustable LED rack lighting helps you set up in the darkest venues.
August 10, 2017
The engineer and I had just spent several hours balancing rhythm tracks but the bass guitar was still not out front enough. I asked for more bass, but he turned to me and said, "That's as loud as we can get it." He reached up and hit the solo button on the mixer for the bass channel and pointed to the meters. Sure enough, all on its own the bass guitar was right on the verge of overdriving the board. But when those other instruments were turned back on you couldn't hear it. It was the first time I'd ever seen a visual demonstration of the limits of ever-increasing volume in the mix. The bass was as loud as we could get it without distortion, but the other instruments were masking the sound. And I had just learned a lesson that was useful far beyond the recording studio.
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