Carvin Catalog Archive • 1961

1961

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Carvin Catalog Archive

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Highlights from this catalog

Key products, features, and themes you’ll see in this issue.

Amplifiers and Electronics

Amplification and electronics receive major space in the 1961 catalog. The 12-C continues as the compact pro combo, while the 28-212-B, 15-8-A, and 8-12-A expand Carvin’s higher-powered amp lineup with Jensen speaker systems, variable tremolo, and stronger output stages. The pickup, wiring, and parts pages deepen Carvin’s identity as an electronics-focused manufacturer, not just a guitar builder.

  • Model 12-C anchors the smaller amplifier offering
  • 28-212-B and 15-8-A push into larger full-range professional systems
  • 8-12-A remains a strong mid/high-power combo option
  • AP-series pickups are central to Carvin’s electronics story
  • Wiring circuits and parts pages support builders, modifiers, and repairs

Steel Guitars

The steel guitar section remains the spine of the 1961 catalog. Carvin opens with six- and eight-string single-neck steels, then develops the line into tone-changer instruments and console double- and triple-neck models. The company stresses eastern rock maple bodies, Alnico pickups, molded hardware, chrome leg systems, and strong tuning flexibility. This section shows Carvin still treating steel guitar as its core identity, even while the rest of the catalog broadens around it.

  • Single-neck six- and eight-string steels remain foundational models
  • Tone-changer steels are positioned as advanced professional instruments
  • Console double- and triple-neck steels target serious stage players
  • AP-6 and AP-8 pickups are presented as premium upgrades
  • Cases, legs, and study courses reinforce a full system approach

Guitars, Bass, and Specialty Instruments

The 1961 issue shows Carvin pushing further into electric fretted instruments. Electric basses, double-neck crossover instruments, solid-body guitars, electric mandolins, a left-handed Spanish guitar, and an electric violin all appear as distinct catalog features. This is one of the clearest signs that Carvin was no longer only a steel guitar company, but a broader electric instrument maker aimed at working players and specialist performers.

  • Electric basses include both single-pickup and more advanced control layouts
  • Double-neck bass/Spanish and mandolin/Spanish instruments emphasize versatility
  • Solid-body guitars are offered in two-pickup and three-pickup professional formats
  • The 10-LSGB adds a dedicated left-handed model
  • Electric mandolin and electric violin remain distinctive specialty offerings

Artist / Endorsers

The 1961 Carvin catalog highlights a diverse group of professional musicians who helped demonstrate the performance capabilities of Carvin instruments and electronics. Guitar virtuoso Joe Maphis and rising star Larry Collins represent the company’s growing presence in the electric guitar world, showcasing Carvin solid-body guitars and pickup systems. Steel guitarists Billy Mize, Pua Almeida, and Billy Hew Len reinforce Carvin’s deep roots in the steel guitar tradition, particularly with console and tone-changer models. Multi-instrumentalist Harold Hensley appears with Carvin amplifiers and specialty instruments such as the electric violin. Together these artists illustrate Carvin’s connection to professional performers across country, Hawaiian, and popular music styles.

  • Larry Collins - associated with the 3-SGB guitar and the AP-6 pickup
  • Joe Maphis - associated with the 6-SGB professional guitar, the large amplifier section, and the AP-6 pickup
  • Billy Mize - associated with the console steel guitar section and the 8-12-A amplifier endorsement.
  • Harold Hensley - associated with the 12-C amplifier page and the V-11A electric violin.
  • Pua Almeida - associated with the console steel guitar
  • Billy Hew Len - associated with the console steel guitar
Catalog Story

Inside the Carvin Catalog

The 1961 Carvin catalog shows a company still grounded in steel guitars but now operating as a broader electric instrument maker with a strong electronics identity. The front half of the book moves from single-neck steels into professional amps, electric basses, double-neck crossover instruments, solid-body guitars, mandolins, and Spanish electrics, while the back half expands into tone-changer steels, console steels, amplifier systems, wiring circuits, pickups, and parts. The catalog continues Carvin’s direct-to-customer value argument and positions the brand as a professional alternative to dealer-sold competitors.

A major theme is Carvin’s engineering focus. Across the catalog, the company emphasizes adjustable-pole magnetic pickups, Alnico V magnets, removable maple necks with truss rods, tone changer mechanisms, Jensen speaker systems, variable tremolo, and heavy-duty cabinet construction. These are presented not just as features, but as proof that Carvin can deliver serious performance tools at lower prices through factory-direct selling.

Artist presence is also central in this issue. Joe Maphis, Larry Collins, Billy Mize, Harold Hensley, Pua Almeida, and Billy Hew Len all appear, reinforcing Carvin’s credibility across country, electric guitar, and steel guitar circles. The catalog therefore functions both as a sales piece and as a snapshot of early-1960s electric instrument culture centered on steel guitar tradition, amplified fretted instruments, and mail-order electronics.
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Carvin Catalog Archive

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Archive Metadata

Carvin Catalog Archive

A digitized archival scan from the Carvin catalog timeline.

1954
Keywords: Carvin 1954 catalog, vintage guitar amps, tube amplifiers, pickups, PA, audio gear, historical product listings.

1961

Year: 1961

Brand

Carvin, Carvin Corp., Carvin Musical Instruments, DeArmond, Martin, C. F. Martin, Jensen, Joe Maphis, Larry Collins, Billy Mize, Harold Hensley, Pua Almeida, Billy Hew Len, Terlinde, Amperite.

Keywords

1954 Carvin Catalog, vintage Carvin, guitar amplifiers, bass amplifiers, electric Hawaiian guitar, steel guitar, tube amplifier, Baldwin Park California

Models

Carvin Models: 6DHG-5B, 6DHG-6B, 8DHG-5B, 8DHG-6B, 607, 484-B, 486, 12-C, 7-BG, 8-BG, 2-SGA, 2-BG, 51, APB-4, 1-LNA, 9-BG, 4-BS, 5-BS, 6-CBS, 1-MS, 2-MS, 3-CMS, 3-SGB, 4-SGB, 2-SGC, 6-SGB, 3-SGC, 1-MB, 2-MB, 1-MA, 1-SGB, 2-SGB, 10-LSGB, 60C, 80C, 52, 6, 51-B, 8, C8806-D, C8806-E, C8806-SF, C6806-SF, 8806-B, 8806-C, 6606-B, K8806, K6606, 609, 28, 6-B, 7-B, 8-B, 9-B, 2-C, V-11A, VC-15A, VC-16A, VB-17A, 28-212-B, 15-8-A, 8-12-A, A-30, A-47, A-3, A-4, A-5, A-7, A-52, A-8, A-9, A-11, A-12, A-46, A-13, A-14, A-26, A-42, A-15, A-16, A-17, A-23, A-25, A-24, A-22, A-29, A-21, A-31, A-33, A-32, A-34, A-35, A-36, A-37, A-38, A-39, A-41, A-40, A-28, A-44, A-27, A-48, A-51, A-45, A-45B, A-50, A-1, AP-6, AP-8, A-2, AP-4..Third Party Models: DeArmond 1000 Rhythm Chief, DeArmond 500 Fhole Mandolin Pickup, DeArmond 75C Ukulele Contact Pickup, DeArmond 700 Violin Contact Pickup, DeArmond RHC-B Flat Round-hole Guitar Pickup, DeArmond FHC-B, DeArmond 900 String-Bass Contact Pickup, DeArmond 210 New Model Pickup, DeArmond 610 New Model Pedal Volume and Tone Control, DeArmond 600 Foot Pedal Volume Control, DeArmond 40, DeArmond 41, Martin D-18, Martin D-28, Martin O-18, Martin OO-18, Martin OOO-18, Martin OOO-28, Martin OOO-21, Martin OO-17, Martin 015, Martin 017T, Martin Model A Mandolin, Martin Model 2-15 Mandolin, Martin Model O Ukulele, Martin Model 1 Ukulele, Martin Model 1T Tenor Ukulele, Martin Model T15 Tiple, SKH, KKH, CC-1, 50-C, C-200, 3 Terlinde Accordion Mike..

Series

single-neck steel guitar, eight-string steel guitar, tone changer steel guitar, double-neck console steel guitar, triple-neck console steel guitar, electric bass guitar, double-neck bass and Spanish guitar, double-neck mandolin and Spanish guitar, solid-body electric guitar, left-handed Spanish guitar, electric mandolin, electric violin, cutaway electric Spanish guitar, hi-fidelity amplifier, tremolo amplifier, pickup systems, build your own electric Hawaiian guitar.

Technology

Alnico magnetic pickup, adjustable pole pickup, hi-fidelity pickup, double-powered magnets, variable vibrato, variable tremolo, Jensen concert speaker, 5881 output tubes, 6L6 output tubes, 12AX7, 12AT7, 6AV6, 5U4, removable maple neck, built-in adjustable truss rod, rosewood fretboard, molded nut, molded tailpiece, cast adjustable bridge, tone changer mechanism, chrome telescopic legs, flush leg inserts, flat plug connector, three-way lever switch, slide switches for multi-neck steels.

Artists & Endorsers

Joe Maphis, Larry Collins, Billy Mize, Harold Hensley, Pua Almeida, Billy Hew Len

Search Tokens

1961 Carvin catalog, Carvin Catalog 1961, Carvin steel guitar, Carvin electric bass, Carvin 9-BG bass, Carvin double-neck bass Spanish, Carvin 1-MS mandolin Spanish, Carvin 3-SGB guitar, Carvin 6-SGB guitar, Carvin left-handed Spanish guitar, Carvin 10-LSGB, Carvin electric mandolin, Carvin electric violin V-11A, Carvin 12-C amplifier, Carvin 28-212-B amplifier, Carvin 15-8-A amplifier, Carvin 8-12-A amplifier, Carvin 60C tone changer, Carvin 80C tone changer, Carvin C8806-D, Carvin C8806-SF, Carvin 8806-B, Carvin 6606-B, Carvin AP-6 pickup, Carvin AP-8 pickup, Carvin AP-4 pickup, Joe Maphis Carvin, Larry Collins Carvin, Billy Mize Carvin, Harold Hensley Carvin, Pua Almeida Carvin, Billy Hew Len Carvin, Martin D-28, DeArmond Rhythm Chief.

Additional searchable lines

  • Example: Electric Spanish Guitar kits, Alnico pickups, accordion pickup, mid-century musical instruments.
  • Example: Electric Spanish Guitar kits, Alnico pickups, accordion pickup, mid-century musical instruments.