Getting into the world of effects pedals can be an intimidating task (and not to mention expensive, too)! There are hundreds of pedal manufacturers and thousands of effects to choose from to help define your sonic identity. If you're just getting started with effects, this quick guide will outline the basic ways to implement some stomp boxes into your arsenal.
Guitarists like U2’s The Edge and Tom Morello from Rage Against the Machine are known for their use of creative use of effects, which play a large part in their respective bands’ overall sound. In contrast, bass players go relatively unnoticed in this regard. That is not to say bassists should not use effects- thoughtful, appropriate use can definitely add a lot of color to your sonic palette. However, special care must be taken to ensure that your effects-laden bass still supports the rest of the band in the mix and does not get lost in it.
The basis of choosing effects is to think about the style of music you are playing and what sound you are going for. A fuzz or distortion effect, for instance, may be totally out of place in a jazz trio but could sound right at home in a three-piece hard rock band and help fill in space during a solo. A flanger effect might sound awesome leading into a chorus but might be overkill if it’s used too often throughout the song.
Of course, there are a multitude of effects out there, and countless variations of the same effect, so in addition to deciding when in the song to kick your effect on, pinpointing the exact type of effect for the job can be a difficult task. Maybe you may feel like a verse could use a little something extra, but are not sure what. In cases like this, or if you have spent years plugging straight into your amp want to get a crash course in using effects, a good starting point is to try out a multi-effects unit. These are helpful in that they allow access to dozens of effects and make it easy to get familiar with each one. From there, you can find what works best for you.
Some bass amplifiers offer built-in effects- Carvin Audio’s BX1500, for instance, offers a built-in compressor and a touch of natural grit if you want it (crank the drive and listen as your tone gets a bit more fur). You’re not going to find any built-in reverb or chorus here like you would on a guitar amp, though!
If you instead want to go the individual effects pedal route, you can head to a local music store or ask an effects-happy guitarist friend if you can borrow his. Keep in mind though that while there are many exceptions, guitar pedals (especially dirt pedals) do not work quite as well on bass as on guitar. Throwing a clean blend into the mix often works wonders for increasing the usability of many pedals on bass by splitting the dry and wet signals, making sure your bass’ low end and punch are not compromised when the effect is engaged.
With every effect you try out, ask yourself – is it contributing positively to the music you’re playing, and not just making it unclear adding noise or taking the attention away from a vocal line or guitar solo. Don’t be afraid to experiment, but remember at the end of the day your job is to lock in with the drummer and lay the foundation for your band.
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The TONE KING reviews the Carvin Amps WG5 Wireless Guitar and Bass System. The WG5 Wireless Guitar/Bass System is designed to give you the wireless freedom you have been looking for and the simplicity to make your life as a working musician easier. Compact design coupled with an intuitive, easy set up makes going wireless an enjoyable process. The WG5 works with both active and passive instruments.
The WG5 Wireless Guitar/Bass System is designed to give you the wireless freedom you have been looking for and the simplicity to make your life as a working musician easier. Compact design coupled with an intuitive, easy set up makes going wireless an enjoyable process. The WG5 works with both active and passive instruments.