January 03, 2017 2 Comments

How to Choose a Mixer: C1648

In the last segment, we discussed the basic functions of mixers and why they are essential to a live sound setup and the everyday gigging musician. In this piece we will discuss the different types of mixers available and help you decide which one is best for your setup. 

Although different types of mixers all serve the same general purpose, certain types are more suited to do the job than others. The mixer required for a band practice will be very different from one that is used in a professional arena rock show, for instance. Knowing the differences and choosing the correct one will help you spend less time twiddling knobs and more time playing music!

  1. Desktop Analog Mixers- Desktop analog mixers are generally a little bigger than there digital mixer counter parts, when it comes to the channel count to size ratio. Digital mixers usually have one full channel of knobs for gain and EQ settings, and typically they have a fader and button for each channel to access the individual channel settings (See more below). Analog mixers can be smaller as the channel count goes down, and they are quite intuitive to use. On an analog mixer, each channel’s controls and settings, such as EQ and levels, are readily visible at any time, making it easy to make changes and quickly evaluate current settings. If you need quick visual access and size for more channels is not an issue, an analog mixer can be a great choice. These units are easy to learn how to use and very flexible. Invest in a good one and you will be able to use it for a variety of applications, from recording your band to mixing live shows. The Carvin Audio C1648 is an incredibly easy to use, highly flexible analog mixer that’s perfect for churches and performance venues.
  1. Powered Mixers- Powered mixers are portable solutions that are perfect for bands or musicians that do not want to spend a lot of time setting up, and are looking to streamline their live sound setup. Powered mixers come with built-in power amps, so all you need to do is connect your speakers and turn it on to get the show started. If your main and monitor speakers are passive (or unpowered) this type of mixer is very useful. With a non-powered desktop mixer, you would have to bring a power amp or use powered speakers to use the mixer for a live show. In smaller setups, passive speakers with a powered mixer can be much easier, having only to run power to the mixer and speaker cables to the speakers. Some desktop mixers are also powered if you need more features and channels.

XP1000L Lightweight Stereo Powered 1200W 8 Channel Mixer

The Carvin Audio XP1000L is lightweight and powerful, offering 1200RMS from three power amplifiers and weighing in at only fifteen pounds!

  1. All-in-One Mixers/PA Systems: these systems are perfect for small venues, acoustic bands, and solo acts. In an all-in-one system, a mixer, power amp, and speaker are all combined into one unit for easy portability and quick setup. Many of these units’ built-in mixers come with many of the same features you would find in a standalone mixer, but with fewer channels. If you are planning to use a mixer for solo or smaller live performances and are looking to streamline, this is the way to go.

S600B Battery Powered Portable PA System

The Carvin Audio S600B is battery powered so you can take it on the go for outdoor gigs. 

  1. Digital Mixers: Digital mixers are compact, powerful systems that have become quite popular in recent years. These units allow the user to adjust each channel’s settings instantly via digital processing technology. One of the main benefits of a digital mixer is its capability to save and recall settings, which can be useful in a touring band situation. Some even let you program settings on your laptop before the gig, letting you tweak the mix further at the venue once the band starts playing. However, digital mixers have quite a steep learning curve and require a lot of time and dedication to familiarize oneself with all their features and possibilities. If you have a lot of experience with mixers and pro audio this may be up your alley, but those without much experience may find a digital mixer to be intimidating.
Mixers may seem like complex devices, but their overall goal is to help your music sound its best. When choosing a mixer it is important to consider your application, and make your choice accordingly. Get the mixer that not only fits your needs, but is easy enough to use. Then you can focus on your main task, whether it be putting on a killer show or recording your band.

2 Responses

randy adair
randy adair

March 02, 2017

I have been designated sound man at my church and we are using the C3248 system and my knowledge is very limited, do you offer a video tutorial or other that may help me to understand how to get started operating this system? I have read some of the blogs that have helped quite a bit however a thorough overview from start to finish would help a great deal. Thank you.

Busta Speeker
Busta Speeker

January 03, 2017

The centerpiece of our humble yet very cool little studio here in Meridian Idaho is the Carvin1648 that I bought approx. 5 years ago when it had just replaced the 1644. I had extensive experience w/ the 1644 in live situations w/ the band I was in just prior to opening Bear Bones Productions and loved its simplicity and BIG sound; it never let us down. So when the ‘48 series came out, it was a no-brainer. I mean, four-band EQ w/ high AND low sweepable mid freqs on every channel, SIX monitor sends, and a compressor on each of the 4 sub sends? C’mon! At first, I thought a one-knob compressor was a bit hokey and doubted it’s utility, but it has saved my ass twice now on very important recording sessions where I needed more compressors than I have in my rack. It’s touchy, but a little bit does the job very nicely for smoothing peaky signals, however. Nice perk, Carvin! I rarely use or need more than 8 inputs to track with, so my chain goes: for drums/initial tracking the snare goes to Left Main, kick to Right Main, Left/Center/Right overheads to Subs 1&2, and hi-hat on Sub 3. Yes, except for the hi-hat mic and the center “room ribbon” mic, it’s the Glyn Johns “…Levee Breaks” technique (it works, and it ROCKS), w/ a scratch vocal into Mon 1 (no EQ), usually DI’d bass thru Sub 4 and either guitar or piano/synth thru Mon 2 utilizing the nice 9-band graphic EQ you provide onboard taking up the other three inputs on the recorder (no we’re NOT Pro Fooles over here). Have I gushed enough yet? I just felt compelled to let youse guise know how much we LOVE OUR 1648!!! (I just wish we woulda had room for the 24 channel; no more space on the control room desk…..sigh).
Busta Speeker
Bear Bones Productions
Meridian Idaho

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