June 16, 2017
In the Part 1 of this series, we learned how choosing the right format for your church sound system is crucial to keeping your message easily understood. The wrong setup can literally create reflections that clutter your listeners' aural field and make it harder for them to hear the message. We also discussed how a very large system calls for some professional design and installation advice. Now what if your church is a new startup, or a mobile outreach that might become a brick-and-mortar church one day? Is your mobile church towing a trailer and setting up a system for each service? Maybe your budget only allows for a small investment in sound reinforcement, but you don't want to invest in equipment you'll have to replace later? In each of these cases you'll want to take a creative approach to building your system incrementally. Let's look at some options for building a modular system over time and become familiar with the design considerations.
February 07, 2017
August 12, 2016
I am frequently asked “which are better, active or passive speakers?” The short answer is “Neither.” The real answer is dependent on many variables. My production company currently has inventory of both active and passive speakers. We use both very frequently and often at the same events. Here are a few ideas that you might consider when choosing between active and passive speakers.
July 28, 2016
While there’s no doubt that intentionally adding some echo or reverb to your band’s vocals can be a nice effect, the overbearing natural reverb and echo that results from the acoustical properties of certain concert halls, churches, and other venues can be a huge problem for your band’s overall sound and result in an unintelligible mess! If your band is all mic’ed up through the PA, playing and hearing mostly echo instead of instruments can make it really difficult to perform well, let alone stay in time and in tune with one another.
May 12, 2016
When planning an event or concert, one of the most difficult things can be choosing the right PA system to use and setting it up. Of course, you can borrow one from a friend, but there still comes the issue of transporting it to the venue, setting it up, and plugging it in. PA rental companies make your life easier, as they often will deliver the sound system to the venue and set it up, at a fee of course. But if you host events frequently, this is not very cost effective.
April 28, 2016
If you're a musician, DJ, or sound professional who has had to deal with PA systems, you know the drill. They are usually heavy, cumbersome, and take up a lot of space in the van, weighing you down on the way to the gig and especially in a touring situation. And while most music venues will provide a sound system for your performance, most inevitably you will play a gig where the PA has gone MIA. Or maybe there is a sound system, but it is on its last legs and isn’t able to put out the best sound to give your performance justice. With Carvin Audio’s TRC Active Column Array Systems, you get professional, high-fidelity sound in a portable package that gets the job done at any gig. These innovative systems feature full range, dynamic audio that will fill the venue and help your audience enjoy your music on a whole new level.
February 10, 2016
Be it a full production in a dedicated house of worship, or a regular Sunday sermon in the local church, fostering an ambience that allows focus and self-reflection can help in promoting the message and impinging it upon the minds of the listeners. Inadequate audio quality can greatly distract the attention of a worshipper or attendees. Especially, with the goal being listener envelopment, articulation, and clarity, having a viable PA sound system is indispensable for the house of worship. However, the operations of a PA in such gatherings pose these specific problems:
November 19, 2015
Music magazines, like Live Sound International or FOH (Front of House), often feature articles highlighting the latest in sound systems, but it seems a majority of these articles are catered towards large, up-scale budgets and locations. It’s always fascinating to read about what these bigger venues are doing and how quickly technology is progressing. However, many sound people work in hundreds of small venues throughout the US. If your band plays gigs in small venues or if you operate sound systems in small venues, your sound dynamics radically differ from the larger sites. You have to adapt your skills to the characteristics of small venues to achieve sound success.
October 21, 2015
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